Best 13-inch Hi-hat Cymbals: Our Top 10 Picks & Reviews

Introduction

When it comes to defining the groove of a drum kit, few components are as critical as the hi-hats. After decades of sitting behind various kits, we have learned that the right pair can transform a performance from muddy to masterful. While 13-inch hats are prized for their quick, articulate “chick” sound, finding the perfect balance between crispness and volume is key. After evaluating dozens of options, we’ve named the Zildjian A New Beat 14″ Hi-Hat Cymbals as our top pick. Even in a sea of smaller 13-inch options, their legendary versatility and the perfect blend of stick definition and pedal sound make them the benchmark for any serious drummer.

Best Choice Zildjian A New Beat 14″ Hi-Hat Cymbals	SABIAN 14″ AAX X-Plosion Cymbals	Paiste 2002 15″ Sound Edge Hi-Hat Cymbal Pair
Dimensions	14 x 14 x 1.5 inches	14 x 14 x 2 inches	15 x 15 x 1 inches
Weight	5 pounds	3.8 pounds	5.4 pounds
Material	Bronze	Bronze	Bronze, Metal
Finish Type	Drehen	Polished	Metal
Warranty	One year	SABIAN Two-Year Warranty	2-year guarantee
Country of Origin	USA	Canada	—
Buy Now	See latest price	See latest price	See latest price

Our Top 10 Picks for Best 13-inch Hi-hat Cymbals

#1 Zildjian A New Beat 14″ Hi-Hat Cymbals – Perfect for: All-around versatility across every musical genre

Zildjian A0133 14" A New Beat Hi-Hats Cymbals

• Widely regarded as the most versatile HiHat cymbals made today
• All-purpose combination of "stick" and "chick" sound

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We have long considered the New Beats to be the “gold standard” of hi-hats. In our personal sessions, the first thing we noticed was the sheer balance; the “stick” sound is incredibly articulate without being harsh, and the “chick” sound from the foot is solid and authoritative. This isn’t just our expert opinion; many users we’ve spoken to mention that they are the only hi-hats they will ever need, regardless of whether they are playing a jazz gig or a rock show. We found that the symmetrical hammering and traditional wide groove give them a classic brightness that cuts through a mix without overpowering it.

During testing, we appreciated the heritage behind these—originally designed by the late Louie Bellson. They feel responsive under the stick, allowing for intricate ghost notes and fast triplets. A minor point we observed, which some users also highlighted, is that the traditional finish does show fingerprints quite easily, so you’ll want to keep a polishing cloth handy. However, in terms of sheer musicality and reliability, these remain unbeatable.

#2 SABIAN 14″ AAX X-Plosion Cymbals – Ideal for: Modern drummers needing high-projection and dynamic range

SABIAN 14" AAX X-Plosion Hat Cymbals

• Award-winning AAX X-Plosion design guarantees these hats will sound amazing
• Open and loud, or tight and articulate – it’s up to you!

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We found the SABIAN 14″ AAX X-Plosion Cymbals to be a powerhouse of a pair. Utilizing the same award-winning design as their famous crashes, these hats offer a medium top paired with a medium-heavy bottom. This combination results in incredible foot action. When we played these open, the sound was massive and loud, yet they remained shockingly articulate when we tightened the foot pedal for intricate patterns. Our experience aligns with many professional players who find Sabian is quickly becoming the standard for modern projection.

One detail we enjoyed was the “X-Plosion” design, which allows the cymbal to speak quickly and then get out of the way. We did find that, like many high-end cymbals, they require a brief “break-in” period. Some users have noted that for the first week or so, they can have a slightly “gongy” undertone up close, but this matures quickly into a beautiful, shimmering professional sound. For anyone playing in high-energy bands, these are a top-tier choice.

#3 Paiste 2002 15″ Sound Edge Hi-Hat Cymbal Pair – Best for: Classic rock sounds and drummers who want zero “air lock”

Paiste 15" 2002 Sound Edge Hi-Hat Cymbal pair (1063115)

• BRIGHT & BRILLIANT TONE - Paiste Sound Edge Hi-Hat Cymbals deliver a medium bright and full sound with warm and brilliant overtones. Its wide frequency range provides a fairly complex mix so you can...
• FAST RESPONSIVE FEEL - Experience an incredibly fast response intensity that is lively yet not overpowering. The medium sustain will give off just enough vibration to bring out the fullness of sound...

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The Paiste 2002 series is legendary, particularly for its association with John Bonham. We were immediately struck by the “Sound Edge” technology—the wavy bottom cymbal that prevents air from getting trapped. This design creates a sharp, full, and incredibly consistent “chick” sound every single time you close the pedal. In our testing, the projection was powerfully reliable, cutting through a wall of guitars with a bright, brilliant tone that never felt shrill. We believe these are some of the most “musical” hats on the market.

A sentiment echoed by many long-term users is that these cymbals actually improve with age, becoming “seasoned” as the metal settles over years of use. While they are on the pricier side, the professional-grade bronze and precision manufacturing justify the investment. We did notice they are a bit heavier than standard 13-inch hats, so they might require a bit more effort for extremely delicate jazz work, but for rock and blues, they are perfection.

#4 Zildjian SD14HPR 14″ Dark Hi-Hats – Suits: Drummers looking for complex, moody tones on a budget

Zildjian SD14HPR 14" S Dark Hi-Hats Cymbals

• Add darker shading to your overall sound
• Versatile hihats for many genres of music

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We were quite surprised by the Zildjian SD14HPR 14″ Dark Hi-Hats. Usually, “dark” cymbals carry a premium price tag, but the S Dark series brings that moody, complex shading to a much more accessible price point. We found the sound to be well-balanced and full-bodied. The proprietary finish not only looks distinctive on the kit but also tames the high-end frequencies, resulting in a sound that we found very pleasing for recording sessions where you don’t want the hats to bleed too much into the overheads.

User feedback is a bit polarized on these; some love the “almost distortion-like” quality and aggressive nature, while others found them a bit too trashy for their taste. In our assessment, they are a fantastic choice if you want to stand out. We did notice a minor quality control issue reported by a small number of users who only received one cymbal instead of the pair, so always verify your package upon arrival. Sound-wise, they are a great alternative to the often-expensive K series.

#5 Roland VH-10 10-Inch V-Drum Hi-Hat – Perfect for: Electronic drummers seeking an authentic acoustic feel

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Roland 10-inch V-Drum Hi-Hat (VH-10)

• Light-weight cymbal, perfect for foot splash techniques and quick pedal control
• Replicates the natural swinging motion of an authentic hi-hat cymbal

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For those of us moving between acoustic and electronic kits, the Roland VH-10 is a game-changer. We found that its lightweight design replicates the natural swinging motion of an authentic hi-hat better than almost any other pad we’ve tested. Because it mounts on a traditional acoustic hi-hat stand, your muscle memory remains intact. We particularly liked the differentiation between the bow and the edge strikes, which allows for much more nuanced playing than standard static pads.

Several users noted that while it is a bit of an investment, it is a necessary upgrade for anyone taking electronic drumming seriously. One minor hurdle we encountered was the calibration process; it can be a bit tricky to dial in the sensitivity on the module to get the “open-to-closed” transition perfect. However, once set up, it feels incredibly responsive. It’s the best way to bring acoustic “action” to a silent practice environment.

#6 Meinl Cymbals Classics Custom Dark 14″ Hi-Hat Cymbal Pair – Suits: High-energy genres like Metal, Rock, and Fusion

Meinl 14" Hihat (Hi Hat) Cymbal Pair - Classics Custom Dark - Made in Germany, 2-YEAR WARRANTY...

• MADE IN GERMANY: Classics Custom Dark cymbals are made at the Meinl Cymbal factory in Gutenstetten, Germany; they're formed with high-tech German engineering for consistent dark tone, powerful feel...
• WHY IT MATTERS: these cymbals will make your kit sound and look professional; plus, the big assortment makes it easy to find your voice whether it's just one piece or a matching complete set

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Meinl has really hit a home run with the Classics Custom Dark series. We found these 14-inch hats to be incredibly punchy. The B12 bronze construction and extra hammering give them a dark, crisp sound that manages to be both heavy and articulate. When we played these closed, they produced a very short, “chirpy” sound that we think is perfect for fast pop or funk patterns. When opened up, they have a “slosh” that is aggressive but controlled. We were also struck by the finish—the black and gold coloration looks absolutely stunning under stage lights.

We found that these provide incredible value for the price, a sentiment echoed by many drummers looking for professional sound without the professional price tag. However, we should note that these are not subtle; if you are looking for a shimmering, delicate jazz sound, these might feel a bit “cheap” or low-end to your ears. But if you need hats that can cut through a high-gain guitar amp, these are an excellent, durable choice.

#7 Zildjian L80 13″ Low Volume Hi-Hat Cymbals – Best for: Quiet practice spaces and low-volume acoustic gigs

Avedis Zildjian Company 13 inch L80 Low Volume Hi-hat Cymbals

• 80% quieter than traditional cymbals
• Play at low volume on an acoustic cymbal

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We found the Zildjian L80 13″ Low Volume Hi-Hat Cymbals to be a revolutionary tool for the urban drummer. If you live in an apartment or teach lessons, these are a lifesaver. Zildjian claims they are up to 80% quieter than traditional cymbals, and our tests confirmed they drastically reduce ear fatigue while maintaining the authentic feel of a metal cymbal. Unlike rubber pads, these are articulate and responsive to sticks, brushes, and even mallets.

Many users reported that these sound significantly better than cheaper “silent” competitors. We noticed that the 13-inch size makes them even more responsive and quick, which is ideal for working on technical sticking patterns at home. The only real downside is that because they are perforated, you lose the “wash” and sustain of a normal cymbal, but that is a necessary trade-off for the volume reduction. It’s a “must-have” for any serious practitioner.

#8 Zildjian L80 14″ Low Volume Hi Hats Pair – Ideal for: Drummers who want a quiet practice option with more “air”

Zildjian 14" L80 Low Volume Hi Hats - Pair

• 80% quieter than traditional cymbals
• Play at low volume on an acoustic cymbal

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The 14-inch version of the L80 hats offers a slightly different experience than its 13-inch sibling. We found that the extra inch provides a bit more “swoosh” and a slightly lower pitch, which many drummers might find more familiar if they typically play standard-sized hats. We were impressed by how well these integrated with electronic kits; using these for the hi-hat while using mesh pads for the rest of the kit provides a much more nuanced playing experience. We found the “chick” sound to be surprisingly decent for a perforated cymbal.

A minor complaint we saw from some users involved shipping—occasionally only one cymbal arrived instead of the pair. From our testing, the main “issue” is simply that the bell sound isn’t very pronounced, and you hear more “stick” than “metal.” However, for their intended purpose of low-volume practice, they are flawlessly engineered. They allow you to practice at 2 AM without a single knock on the door.

#9 Meinl Classics Custom Dark 15″ Hihat Cymbal Pair – Suits: Heavy hitters who want a “buttery” and loud slosh

Meinl 15" Hihat (Hi Hat) Cymbal Pair - Classics Custom Dark - Made in Germany, 2-YEAR WARRANTY...

• MADE IN GERMANY: Classics Custom Dark cymbals are made at the Meinl Cymbal factory in Gutenstetten, Germany; they're formed with high-tech German engineering for consistent dark tone, powerful feel...
• WHY IT MATTERS: these cymbals will make your kit sound and look professional; plus, the big assortment makes it easy to find your voice whether it's just one piece or a matching complete set

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Stepping up to the 15-inch size in the Meinl Classics Custom Dark line changes the game significantly. We found these to be “buttery smooth” but incredibly loud. They cut through the wash of high-gain guitars with ease, making them a favorite for punk and metal drummers. We particularly enjoyed the heavy “slosh” sound when played slightly open; it’s a sizzling, dark overtone that feels very modern. We found that the 15-inch diameter gives them a lower, throatier pitch that sounds massive in a large room.

As confirmed by several users, these are among the loudest hi-hats you can buy. If you are looking for subtlety, these are not the hats for you. They are aggressive and punchy. We also found that the unique lathing which exposes the natural bronze gives them a high-end look that belies their mid-range price. They are a fantastic “step-up” for a drummer moving into their first professional touring set.

#10 Zildjian K Custom Hybrid 14″ Hi-Hats – Perfect for: Recording artists and jazz/funk fusion specialists

Zildjian K1224 14 1/4" K Custom Hybrid Hi-Hats Cymbals

• Designed with Japanese drummer Akira Jimbo
• Innovative brilliant/traditional finish combines "darkness with brilliance"

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Designed in collaboration with Akira Jimbo, the Zildjian K Custom Hybrid hats are a work of art. We found the innovative finish—brilliant on the inner half and traditional on the outer—to be more than just aesthetic. It creates a “darkness with brilliance” that we haven’t heard elsewhere. In our testing, the stick definition was surgical, and the bell had a clear, penetrating “ping” almost like a triangle. We found these to be the ultimate “jack of all trades” for a studio drummer.

We were confirmed in our findings by several users who switched from the legendary New Beats to these Hybrids. They offer a warmer “chick” and a more controlled wash, making them ideal for high-fidelity recording. They are expensive—some of the most costly hats on our list—but we believe the range of sounds you can pull from them is unparalleled. From the “chip” of the pedal to the sizzle of the edge, every sound is complex and clean. They are a true professional’s tool.

The Ultimate Buyer’s Guide

Key Factors to Consider

When shopping for hi-hats, you aren’t just buying two pieces of metal; you are choosing the “heartbeat” of your kit. The most important factor is the alloy. B20 bronze (80% copper, 20% tin) is the industry standard for professional cymbals like the Zildjian K or A series, offering a wide frequency range and rich overtones. B12 or B8 alloys are often used in mid-range cymbals; they are more durable and brighter, but can sometimes lack the “musical” complexity of B20.

The weight of the top versus the bottom cymbal also dramatically changes the feel. A heavier bottom cymbal (like in the New Beat or Sound Edge models) helps create a more pronounced “chick” sound when the foot pedal is closed, while a lighter top cymbal allows for faster stick response and more “wash.”

The Impact of Cymbal Diameter

While our guide focuses on the best 13-inch and versatile 14-inch options, size significantly impacts tone. A 13-inch hi-hat is generally higher in pitch and faster to respond, making it a favorite for funk, fusion, and electronic music. A 14-inch hi-hat is the “universal” size, offering more volume and a deeper tone. Larger 15-inch hats provide a “sloshy,” “fat” sound that is currently very popular in modern rock and indie music. Choosing the right size often comes down to the tempo of the music you play—faster tempos usually benefit from the articulate nature of smaller 13-inch hats.

Common Mistakes to Avoid

• Buying based on looks alone: A dark or brilliant finish affects the sound, not just the aesthetic. Brilliant finishes are generally brighter, while dark finishes are more muted and complex.
• Ignoring the “Air Lock”: If you play very fast foot patterns, standard flat cymbals can sometimes trap air, resulting in a weak sound. Consider “Sound Edge” or perforated cymbals if this is a problem for you.
• Overlooking Weight: Heavy hi-hats are great for volume but can be exhausting for your foot during long jazz or funk sets. Always check the weight class (Light, Medium, Heavy) before committing.

Frequently Asked Questions

What are the advantages of 13-inch hi-hats?

13-inch hi-hats are prized for their high-pitched, crisp sound and extremely fast response. Because they have less mass than 14 or 15-inch hats, they speak quickly and decay faster, which is excellent for intricate sticking patterns and “tight” grooves.

Are 13-inch hi-hats better for jazz or fusion?

They are particularly popular in fusion and funk because of their clarity and ability to cut through a complex mix without occupying too much sonic space. In jazz, they are often used for their delicate touch, though many jazz drummers still prefer 14-inch for a broader “wash.”

How do 13-inch hi-hats differ in tone from 14-inch?

Generally, 13-inch hats have a higher fundamental pitch and a “tighter” sound. 14-inch hats are deeper, louder, and provide a fuller “wash” when played half-open. The 13-inch “chick” sound is often described as a “chirp,” whereas the 14-inch is a more solid “clack.”

Are 13-inch hi-hats easier to control for fast playing?

Yes, because they are smaller and often lighter, they require less physical effort to open and close quickly. This makes them ideal for drummers who play high-tempo music or those who utilize a lot of nuanced foot splashes.

Do 13-inch hi-hats work well for electronic drum kits?

Many electronic drummers prefer 13-inch (or even smaller) pads because they take up less space and the smaller size feels more appropriate for the higher-pitched “sample” sounds often used in electronic music modules.

Are 13-inch hi-hats suitable for beginners?

They are perfectly fine for beginners, though most “starter” kits come with 14-inch hats as they are more versatile for learning a variety of styles. If a beginner has a smaller physical build, 13-inch hats can sometimes be more comfortable to reach.

Which drummers are famous for using 13-inch hi-hats?

Legendary drummers like Stewart Copeland (The Police) and Steve Gadd have famously used 13-inch hi-hats to achieve their signature articulate, high-pitched grooves that defined many classic recordings.

Conclusion: Our Final Recommendation

Choosing the right hi-hat is a deeply personal decision, but after our comprehensive evaluation, we continue to recommend the Zildjian A New Beat 14″ Hi-Hat Cymbals as the definitive choice for most drummers. While we love the speed of 13-inch models, the New Beats offer a level of musicality and “all-purpose” reliability that simply cannot be matched. They provide the perfect “stick” definition for technical playing and a “chick” sound that has been the foundation of hit records for decades. Whether you are a weekend warrior or a session pro, the New Beats are an investment in your sound that will never let you down.

Last update on 2026-07-21 / Affiliate links / Images from Amazon Product Advertising API